{"title":"Coming to Auction","description":"","products":[{"product_id":"almost-remembered","title":"Almost Remembered","description":"\u003cp\u003eAlmost Remembered is a contemporary artwork about memory, loss, and the fragile boundary between presence and disappearance.\u003c\/p\u003e\u003cp\u003eThe figure does not arrive. It surfaces. Slowly, incompletely, the way a memory reasserts itself in the quiet of the night or fades just before you name it. No paint. No print. No ink. The image is drawn from the acrylic glass itself, through controlled scratches that catch the light and release it as you move.\u003c\/p\u003e\u003cp\u003eFrom a distance, the silhouette holds. It is monumental in its stillness, centred in deep shadow and generous silence. Step closer, and the figure dissolves into a field of controlled surface damage, a texture that feels geological, intimate, entirely its own. The image does not live in the glass. It lives in the light that passes through it.\u003c\/p\u003e\u003cp\u003eThat tension is the work. Presence and absence. Recognition and forgetting. The figure stands as if it has always been there, and as if it is already leaving.\u003c\/p\u003e\u003cp\u003eMonochrome strips a subject to its emotional core. Without colour, only contour and shadow remain. The silhouette carries the weight of something familiar, something almost named. That almost is deliberate. Memory is rarely precise. It is approximate, felt more than seen.\u003c\/p\u003e\u003cp\u003eAlmost Remembered continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"Some figures are not meant to be seen clearly. They are meant to be felt, half-formed, at the edge of recognition.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496830734661,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Almost_Remembered_thumbnail.jpg?v=1783459197"},{"product_id":"echo-of-spider-man","title":"Echo of Spider-Man","description":"\u003cp\u003eSomething emerges from the dark. Not announced, not explained. A presence that gathers form from what appears to be pure absence.\u003c\/p\u003e\u003cp\u003eSpider-Man has always been a figure defined by concealment. Behind the mask there is no identity to read, no face to claim. What remains is tension, vigilance, the particular stillness of someone always watching from the edge of the visible. In this work, that quality becomes the image itself.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The portrait is constructed through controlled surface damage on acrylic glass. Each scratch catches the light at its own angle. The white eyes emerge first, then the contour of the mask, then the faint suggestion of a presence that has always lived just at the threshold of visibility.\u003c\/p\u003e\u003cp\u003eAs the viewer shifts, the light moves across the surface. The figure appears and withdraws. Clarity arrives from one angle and dissolves from another. What seemed fully present becomes a field of marks. What seemed empty resolves into a face.\u003c\/p\u003e\u003cp\u003eFrom a distance, the work reads as a monumental low-key portrait in deep chiaroscuro. Up close, the illusion opens. The surface reveals itself as a controlled field of damage, each mark a deliberate interruption of material. The image exists only because the surface has been altered.\u003c\/p\u003e\u003cp\u003eThere is something true in that for this subject. Spider-Man is not a figure of addition or declaration. He is a figure of restraint, of operating in shadow, of existing at the very edge of disappearance. The process of this work, image through removal, feels native to that story.\u003c\/p\u003e\u003cp\u003eEcho of Spider-Man continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"Emerging. Always from darkness. Always there.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496831127877,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Echo_of_Spider-Man_thumbnail.jpg?v=1783459201"},{"product_id":"darth-vader","title":"Darth Vader","description":"\u003cp\u003eDarth Vader is not just a figure of power. He is a figure of concealment. Behind the armor, behind the breath, behind the mask, something human remains, barely visible, dissolving into shadow.\u003c\/p\u003e\u003cp\u003eIn this work, Vader does not emerge from light. He recedes into darkness. The portrait exists at the edge of visibility, where the helmet catches a thread of illumination and the rest surrenders to black. No paint. No print. No ink. The image is constructed through controlled surface damage on acrylic glass, marks that hold light only when the surface is ready to give it.\u003c\/p\u003e\u003cp\u003eFrom a distance, it reads as a presence. Monumental, cinematic, still. Step closer, and the figure dissolves into a field of controlled scratches. What seemed like a face becomes a texture. What seemed like shadow becomes structure.\u003c\/p\u003e\u003cp\u003eThis duality is inseparable from the subject. Vader is a character defined by what cannot be seen. The face behind the helmet. The man inside the machine. The light buried inside the darkness. In this medium, that tension is made literal. The image appears and withdraws depending on where you stand, depending on how the light falls.\u003c\/p\u003e\u003cp\u003eThe atmospheric smoke and selective illumination of the composition carry over into the acrylic glass as something closer to a memory than a portrait. The surface holds the image the way darkness holds a silhouette, partially, conditionally, always slightly out of reach.\u003c\/p\u003e\u003cp\u003eThis work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"Even in darkness, presence has a shape.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496832373061,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Darth_Vader_thumbnail.jpg?v=1783459205"},{"product_id":"grief-has-no-face","title":"Grief Has No Face","description":"\u003cp\u003eGrief has no single face. It does not belong to one expression, one moment, or one body. It moves through people without announcing itself, without ever fully revealing its shape. This work does not try to show grief. It tries to hold the space grief leaves behind.\u003c\/p\u003e\u003cp\u003eThe image does not appear through paint or print. No pigment has been applied to this surface. No layer has been added. The form emerges through removal, through controlled damage to the surface of acrylic glass, where the material itself has been altered so that light becomes the only medium through which something becomes visible.\u003c\/p\u003e\u003cp\u003eFrom a distance, the work carries a monumental presence. A feminine silhouette dissolves into absolute darkness, shadow and soft atmospheric light moving through one another in a tension that never fully resolves. There is no face. There are no features. Only the weight of something felt before it can be named.\u003c\/p\u003e\u003cp\u003eStep closer and the image transforms. What reads as form becomes a field of controlled scratches across the acrylic glass, each mark catching light at a different angle, pulling the figure between clarity and near absence as the viewer moves. The image does not stay still. Neither does grief.\u003c\/p\u003e\u003cp\u003eThat movement is the subject. Grief surrounds rather than announces itself. It withholds the very thing it most needs to express. The absence of a face here is not an omission, it is the meaning. Something overwhelming is present, and it refuses to be looked at directly.\u003c\/p\u003e\u003cp\u003eGrief Has No Face continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"What cannot be faced is not always hidden. Sometimes it is simply everywhere at once.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496832471365,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Grief_Has_No_Face_thumbnail.jpg?v=1783459210"},{"product_id":"what-darkness-yields","title":"What Darkness Yields","description":"\u003cp\u003eWhat Darkness Yields is a contemporary artwork about emergence, restraint, and the quiet power that forms in the absence of light.\u003c\/p\u003e\u003cp\u003eThe swan does not arrive. It surfaces. Wings held low and wide, body close to black water, it occupies a posture that is neither flight nor stillness. There is something ancient in this tension, an elegance that knows its own weight and refuses to surrender it.\u003c\/p\u003e\u003cp\u003eNo paint. No ink. No print. The image is built from controlled surface damage on acrylic glass, and it appears the way all withheld things appear: gradually, conditionally, only when the light agrees. Each scratch catches that light differently, pulling feather and reflection from the dark, then releasing them back as the viewer shifts. The swan moves between presence and near-absence with every change of angle.\u003c\/p\u003e\u003cp\u003eFrom across a room, the work reads as a single, monumental image. Feathers. Water. Stillness loaded with intention. Move closer, and the figure dissolves into a field of controlled scratches, the illusion giving way to pure structure. The picture lives in that threshold.\u003c\/p\u003e\u003cp\u003eThe swan has carried old meaning for a long time. Beauty held in tension with danger. Grace that does not apologize. In this work, that duality is not illustrated but embedded in the surface itself. The image is not given freely. It yields, slowly, through damage and light, exactly as its title promises.\u003c\/p\u003e\u003cp\u003eWhat Darkness Yields continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"What the dark holds, it gives only in fragments, and only to those patient enough to remain.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496832635205,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/What_Darkness_Yields_thumbnail.jpg?v=1783459214"},{"product_id":"attuned-to-absence","title":"Attuned to Absence","description":"\u003cp\u003eA giant ear rises from absolute darkness like a monument. Not an anatomical detail. A cathedral. A site of quiet pilgrimage for those who still believe that listening is a sacred act.\u003c\/p\u003e\u003cp\u003eInside the ear, a narrow staircase spirals downward. At its base, a small room glows with still light. A single figure sits there, motionless, surrounded by nothing. Not waiting for sound to arrive. Simply present with its absence.\u003c\/p\u003e\u003cp\u003eThe image does not appear through paint or print or ink. It emerges through controlled surface damage on acrylic glass. No addition. Only removal. The scratches catch the light differently from every angle, and as the viewer moves, the figure surfaces and retreats, the staircase opens and closes, the darkness deepens or gives way.\u003c\/p\u003e\u003cp\u003eFrom a distance, the composition reads as monumental and still. Up close, it dissolves into a field of controlled scratches, each one a small act of erasure that somehow constructs rather than destroys.\u003c\/p\u003e\u003cp\u003eThe work holds a quiet question. What does it mean to listen when there is nothing left to hear? The ear as monument suggests that the act of listening has become rare enough to commemorate. The figure inside does not search. It simply inhabits the silence, as if absence itself is the message.\u003c\/p\u003e\u003cp\u003eAttuned to Absence continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"To listen to nothing is not emptiness. It is attention in its purest form.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496832864581,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Attuned_to_Absence_thumbnail.jpg?v=1783459219"},{"product_id":"held-past-capacity","title":"Held Past Capacity","description":"\u003cp\u003eHeld Past Capacity is a contemporary artwork about love, containment and the impossible closeness of two people who cannot be separated.\u003c\/p\u003e\u003cp\u003eThe image shows two figures pressed into a space that was not made for both of them. Limbs overlap. Heads press against the edges. Every part of the composition is filled, and still neither figure yields. The embrace is tender and suffocating at once. Love, in this work, does not open outward. It folds inward, held at a pressure that changes its nature.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image emerges through controlled surface damage on acrylic glass. Each scratch catches the light differently, pulling the figures into visibility, then releasing them again as the viewer shifts position. From a distance, two bodies, inseparable. Up close, a quiet field of controlled scratches from which the image slowly forms and dissolves.\u003c\/p\u003e\u003cp\u003eThe absolute black behind them gives nothing back. What it holds is the compression itself: two presences occupying one space, unable to expand, unable to escape. There is love in that. There is also weight.\u003c\/p\u003e\u003cp\u003eThe frame in this work is not just a boundary. It is a condition. The figures do not exist outside it. They have grown into it, or perhaps been reduced to it. The title is not a complaint. It is a statement of fact about what love sometimes asks.\u003c\/p\u003e\u003cp\u003eHeld Past Capacity continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"To be held past capacity is to know you are too much, and to remain.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496832995653,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Held_Past_Capacity_thumbnail.jpg?v=1783459224"},{"product_id":"among-the-nameless","title":"Among the Nameless","description":"\u003cp\u003eAmong the Nameless is a contemporary artwork about belonging, absence and the invisible weight of anonymity within a crowd.\u003c\/p\u003e\u003cp\u003eThe figures are present but faceless. Shoulders press close. Hands emerge from the dark. Partial profiles suggest people without ever quite becoming them. They are defined not by features but by proximity, by the shared void they inhabit within absolute black.\u003c\/p\u003e\u003cp\u003eAt the center, something different. Not a person, but the shape of one. A void that catches the light with more intensity than those surrounding it. An absence that glows. It is the one among many that cannot be named, cannot be found, and yet becomes the most visible of all.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The crowd emerges from the surface of acrylic glass through controlled scratches alone. As the light shifts, as the viewer moves, the figures appear and dissolve. Clarity gives way to absence, then returns. The image breathes with the light.\u003c\/p\u003e\u003cp\u003eFrom a distance, Among the Nameless reads as a monumental, almost cinematic scene. Closer, the surface reveals itself as a field of controlled surface damage, where each mark contributes to a whole that only exists in relation to light and perspective.\u003c\/p\u003e\u003cp\u003eThis work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"The one who cannot be named is the one you cannot stop looking at.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496833519941,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Among_the_Nameless_thumbnail.jpg?v=1783459228"},{"product_id":"arms-that-remember","title":"Arms That Remember","description":"\u003cp\u003eArms That Remember is a contemporary artwork about grief, memory and the body that holds on long after the mind has let go.\u003c\/p\u003e\u003cp\u003eThe figure stands in a deep void. A female form, silent and still, holds something against her chest that the eye cannot find. No child is visible. And yet the arms remember. They curve inward. They close. They hold, with the certainty of something that was once real and is now carried only in the body itself.\u003c\/p\u003e\u003cp\u003eCracks run through the arms and the face. Not as damage, but as evidence. As the mark of time, of weight, of everything that was once pressed against that chest and is no longer there. The surface breaks where the holding was hardest.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image emerges through controlled surface damage on acrylic glass. Only removal. Only subtraction. Light moves across the work and shifts what can be seen, drawing the figure forward and letting her recede again, present one moment and nearly absent the next. From a distance she is monumental and still. Move closer, and the surface opens into a field of controlled scratches, each mark part of the structure that makes her real.\u003c\/p\u003e\u003cp\u003eThis work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"Some things are held so long, the arms forget how to open.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496833880389,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Arms_That_Remember_thumbnail.jpg?v=1783459233"},{"product_id":"hollow-where-glory-was","title":"Hollow Where Glory Was","description":"\u003cp\u003eThere is something deeply unsettling about a face that no longer has a name. The bust stands with full classical authority. The posture speaks of importance, of permanence, of someone who once mattered. But the base is empty. The hollow where the name would be carved is clean, deliberate, and absolute.\u003c\/p\u003e\u003cp\u003eThis is not about the absence of a person. It is about the removal of their identity from record. The figure remains. The recognition does not. What survives is the shape of glory without its claim.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image emerges through controlled scratches in the surface of acrylic glass. Light moves through those marks differently depending on where you stand. From a distance, a dignified silhouette holds its form against the dark. Closer, the surface becomes a field of controlled surface damage, and the figure begins to feel like something being slowly forgotten.\u003c\/p\u003e\u003cp\u003eThat tension is where the meaning lives. The work does not mourn the missing name. It simply holds the fact of its absence, with the same quiet authority the bust itself once commanded.\u003c\/p\u003e\u003cp\u003eThe pure black surrounding the figure offers nothing, no period, no context, no story. It is a monument to someone, or anyone, or no one. The elegance is intact. The identity is not. That combination is what makes the work so difficult to look away from.\u003c\/p\u003e\u003cp\u003eThis work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"Glory leaves its shape. The name does not always follow.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496834044229,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Hollow_Where_Glory_Was_thumbnail.jpg?v=1783459239"},{"product_id":"before-choosing-a-face","title":"Before Choosing a Face","description":"\u003cp\u003eBefore Choosing a Face is a contemporary artwork about identity, concealment, and the moment before we decide who to present to the world.\u003c\/p\u003e\u003cp\u003eA single human figure stands before a wall of elegant, blank masks. No expression. No urgency. Only the pause before the choice, and the quiet weight that pause carries.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image emerges through controlled surface damage on acrylic glass. As the viewer moves, light shifts across the surface, drawing the figure and the masks between clarity and absence. From a distance, the composition reads as still and monumental. Up close, the surface reveals itself as a field of controlled scratches, each one a small act of removal rather than addition.\u003c\/p\u003e\u003cp\u003eThere is something quietly personal in the image. We all carry a collection of faces, worn for different rooms, different people, different versions of ourselves. The masks here are not frightening. They are familiar. That is what makes the moment so precise.\u003c\/p\u003e\u003cp\u003eThe blank surface of each mask echoes the state of the acrylic glass before the work began. Both are open. Both become something only through what is taken away.\u003c\/p\u003e\u003cp\u003eThis work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"Before the face is chosen, there is a moment of complete freedom.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496834208069,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Before_Choosing_a_Face_thumbnail.jpg?v=1783459243"},{"product_id":"crowned-and-forsaken","title":"Crowned and Forsaken","description":"\u003cp\u003eCrowned and Forsaken is a contemporary artwork about power, solitude and the weight a crown carries when there is no one left to witness it.\u003c\/p\u003e\u003cp\u003eThe king stands alone. No board. No opponent. No game unfolding around it. A single source of light falls from one side, sculpting the silhouette out of deep black. From a distance the figure reads as monumental, commanding the silence it inhabits. Step closer, and the surface becomes a field of controlled scratches on acrylic glass, the king seeming to dissolve back into the material it emerged from.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image appears through removal, through controlled surface damage that catches and releases light as the viewer moves, shifting the figure between clarity and near absence, between presence and void.\u003c\/p\u003e\u003cp\u003eIn chess, the king is both the most protected and the most constrained piece. The entire game is built around keeping it standing, yet it cannot move freely, cannot sacrifice itself, can only wait, hold its ground and carry the weight of the crown. That burden becomes the image itself here. Authority expressed through shadow. A silhouette that endures not through strength, but through stillness.\u003c\/p\u003e\u003cp\u003eCrowned and Forsaken belongs to A Game of Chess, a series within Art with Scratch by Tijs Dragtsma in which imagery is constructed through controlled surface damage rather than pigment or print, and in which that same damage becomes a way of speaking about power not as something claimed, but as something carried. Each piece in the series treats a chess figure as a symbol: the king as burden, the queen as force, the pawn as quiet sacrifice. Dark, minimal and cinematic, the works stand alone while belonging to one larger, silent story.\u003c\/p\u003e\u003cp\u003eFrom afar, a single figure in a void. Up close, a visual language where damage is not destruction, but structure.\u003c\/p\u003e\u003cp\u003e\"A king does not fall. It simply runs out of space.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58496834601285,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Crowned_and_Forsaken_thumbnail.jpg?v=1783459247"},{"product_id":"lit-and-forgotten","title":"Lit and Forgotten","description":"\u003cp\u003e\"Lit and Forgotten\" is a quiet contemporary artwork about visibility, the body, and the slow forgetting that follows the moment of being seen. A figure emerges from total darkness, held in a single fall of light that turns skin into surface and form into something sculptural and timeless.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image is constructed through depth and controlled absence, not through addition. It does not sit on the surface but lives within it, called forward by contrast, by the light that fills the room where it hangs, by the angle from which it is approached.\u003c\/p\u003e\u003cp\u003eFrom across the room, the work is monumental and still. A body held in silence, a presence that offers itself without demanding anything in return. Move closer, and the surface opens into a field of depth, shadow dissolving into void at the edges, form emerging from the dark at the center. The figure shifts as you move. It appears and fades as memory does, never quite settling.\u003c\/p\u003e\u003cp\u003eThe title carries its own quiet weight. To be lit is to be made visible, to exist for a moment in the full attention of light. To be forgotten is what comes after. The body here is both subject and emblem, the human form caught between presence and disappearance, between the instant of being seen and the slow retreat into darkness.\u003c\/p\u003e\u003cp\u003e\"Lit and Forgotten\" continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print.\u003c\/p\u003e\u003cp\u003eA visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"Light finds the body. Silence keeps it.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497363738949,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Lit_and_Forgotten_thumbnail.jpg?v=1783463753"},{"product_id":"quiet-made-flesh","title":"Quiet Made Flesh","description":"\u003cp\u003eThe body here is architecture. A back turned toward the light. A shoulder blade lifting quietly from darkness. The spine finding its line. There is no face, no gaze, nothing offered forward. Only form, grounded and still, as certain as stone.\u003c\/p\u003e\u003cp\u003eLight moves across the skin slowly, finding the ridge of bone beneath, the hollow between shoulder and neck, the shadow that gathers where the spine descends. The figure does not emerge all at once. It arrives the way a memory does, partially, and entirely on its own terms.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image is built from depth and absence, drawn from within the surface rather than applied to it. It appears with the light that falls across it and withdraws when the light changes. From a distance it reads as silence, monumental and still. From close, it becomes a field of controlled depth, a surface that holds its own interior world.\u003c\/p\u003e\u003cp\u003eThis is not a study in beauty. It is a study in presence. The back, the shoulder, the skin that is matte and real and without performance: this body does not ask to be looked at. It simply is. That stillness carries something ancient, the quiet dignity of a form that needs no context to hold weight. The human body as its own monument.\u003c\/p\u003e\u003cp\u003eQuiet Made Flesh continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print.\u003c\/p\u003e\u003cp\u003eA visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"The body does not need a face to speak. It carries its whole history in the line of a shoulder, the weight of a spine, the stillness of a back turned quietly toward the light.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497363804485,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Quiet_Made_Flesh_thumbnail.jpg?v=1783463758"},{"product_id":"heavy-with-years","title":"Heavy With Years","description":"\u003cp\u003eA contemporary artwork about endurance, silence and the weight carried by those who have seen too much and said too little. Heavy With Years does not ask for sympathy. It asks for attention.\u003c\/p\u003e\u003cp\u003eHe stands turned slightly away, eyes closed, shoulders broad and steady against absolute darkness. The face is deeply lined, not with age alone but with something harder to name. Controlled, composed, unreachable. He has absorbed what others could not, and it shows, quietly, in every line.\u003c\/p\u003e\u003cp\u003eThe image is built from absence. No paint. No print. No ink. What you see emerges from the surface itself, shaped by depth, contrast and the fall of light. The light sculpts the cheekbones, the ridge of the brow, the set of the jaw. What is not there is what forms him.\u003c\/p\u003e\u003cp\u003eFrom a distance the work is monumental and still. A figure rising from darkness, filling the wall with presence. Move closer and the surface opens into a field of depth, controlled voids that together form what the eye reads as a face, a history, a man.\u003c\/p\u003e\u003cp\u003eLight changes the work. Soft ambient light lets him retreat. A focused beam pulls him forward with full force. He is never the same twice. He shifts with the season, with the hour, with the angle from which you approach.\u003c\/p\u003e\u003cp\u003eHeavy With Years continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"He does not need to speak. He already has.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497364525381,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Heavy_With_Years_thumbnail.jpg?v=1783463763"},{"product_id":"where-wondering-rests","title":"Where Wondering Rests","description":"\u003cp\u003eThere is a place the mind reaches when it stops looking. Not resolution, not arrival, but a stillness where wondering itself finally settles. This work holds that quality, quiet and unhurried, the way a question can exist without needing an answer.\u003c\/p\u003e\u003cp\u003eFrom a distance, the piece carries a monumental calm. The surface reads as silence, evenly toned, absorbing the room rather than filling it. Only when you step closer does the image open itself, revealing depth that seems to pull inward, layer beneath layer, as though something has always been present and only now allows itself to be seen.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image is built not through addition but through absence, through what has been removed from the surface. The voids give form. The depth gives weight. The image does not declare itself; it discloses.\u003c\/p\u003e\u003cp\u003eLight moves, and the work moves with it. At one angle the surface barely holds the image. At another it becomes unmistakably clear. The piece lives between those two states, shifting with the hour, the room, and the place the viewer stands. That is not inconstancy. That is its nature.\u003c\/p\u003e\u003cp\u003eTo wonder is to remain open, to carry a question without forcing it into shape. This work does the same. It does not explain. It waits, and in waiting it offers something rarer than an answer: a place to rest with the unknown.\u003c\/p\u003e\u003cp\u003eWhere Wondering Rests continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"Here, wondering does not end. It rests.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497364558149,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Where_Wondering_Rests_thumbnail.jpg?v=1783463768"},{"product_id":"wrapped-beyond-knowing","title":"Wrapped Beyond Knowing","description":"\u003cp\u003eA figure stands wrapped in silence. Smooth bands of light wind across the shoulders, the throat, the face, until what remains is less a portrait than a question. Something is being held. Something is being withheld.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image emerges entirely from depth and absence, shaped by contrast and by light that shifts with the room, the hour, the viewer's position. What appears is never fixed. The wrapping seems to tighten in shadow and ease in full light, as if the figure is breathing.\u003c\/p\u003e\u003cp\u003eThere is something ancient in the gesture of wrapping. Ritual. Preservation. Concealment as a form of care. The face, mostly hidden, does not invite recognition but reflection. To stand before this work is to sense something just beyond what can be named, a presence felt more than seen.\u003c\/p\u003e\u003cp\u003eFrom a distance the composition is monumental and still, a single luminous form centered against the dark. Step closer, and the surface opens into a field of depth where the bands resolve into a geometry of absence, and the silence becomes structural.\u003c\/p\u003e\u003cp\u003eWrapped Beyond Knowing continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. As in the series at large, the image does not announce itself. It appears, and with changed light or a different angle, it withdraws again.\u003c\/p\u003e\u003cp\u003eA visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"To be wrapped is to be held by what cannot be seen.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497364885829,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Wrapped_Beyond_Knowing_thumbnail.jpg?v=1783463773"},{"product_id":"absence-holds","title":"Absence Holds","description":"\u003cp\u003eA figure stands against absolute darkness. The body is reduced to its most essential form, smooth and still, edged in a single line of white light. Where the face should be, there is only a circle of pure absence.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image does not sit on the surface. It emerges from within, built entirely from depth and the deliberate withdrawal of material. From across the room it is monumental and silent, a shape that commands the eye without explanation. Move closer, and the surface opens into a field of controlled depth, shifting with every change in light and angle.\u003c\/p\u003e\u003cp\u003eWe locate the self in the face. Features carry memory, emotion, recognition, all of it compressed into a few inches of human surface. Absence Holds removes that surface entirely. What remains is a body that still stands. Present. Upright. Faceless. The void does not unmake the figure. It defines it.\u003c\/p\u003e\u003cp\u003eThe work changes with the light. In soft, diffused conditions the silhouette barely surfaces from the wall. Under stronger light the edges sharpen and the circular absence deepens, becoming almost gravitational. The image appears and fades, never fixed, always dependent on the space and the hour.\u003c\/p\u003e\u003cp\u003eThere is something in this that reaches beyond image making. A body stripped of identity still holds its posture. Absence, it turns out, is not collapse. It is a kind of structure.\u003c\/p\u003e\u003cp\u003eAbsence Holds continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"What we cannot name still shapes the way we stand.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497365147973,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Absence_Holds_thumbnail.jpg?v=1783463777"},{"product_id":"kept-from-the-dark","title":"Kept from the Dark","description":"\u003cp\u003eThe face is almost entirely gone. Darkness takes the forehead, the cheeks, the brow, leaving only two small revelations: one closed eye and the soft curve of lips, both held in a quiet, ambient light.\u003c\/p\u003e\u003cp\u003eKept from the Dark is a minimal contemporary artwork about concealment, intimacy and the quiet tension between what we allow to be seen and what we choose to hold back.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image is not added to the surface but drawn from it, constructed through depth and absence alone. What appears depends on the light that falls across the work and the distance from which it is viewed.\u003c\/p\u003e\u003cp\u003eFrom across the room, the piece is still and dark, a presence more felt than seen. Up close, it opens into a field of depth, where the face emerges and recedes with the surrounding light.\u003c\/p\u003e\u003cp\u003eThere is something tender in what the darkness leaves behind. The closed eye is not absent, only turned inward. The lips carry the trace of something almost spoken. Both survive as small acts of presence, offered quietly to whoever stands close enough to look.\u003c\/p\u003e\u003cp\u003eKept from the Dark continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"What is kept from the dark is not hidden. It is held.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497365246277,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Kept_from_the_Dark_thumbnail.jpg?v=1783463781"},{"product_id":"between-two-silences","title":"Between Two Silences","description":"\u003cp\u003eA minimal contemporary artwork about division, memory and the silence held between two states of being.\u003c\/p\u003e\u003cp\u003eA classical head, severed cleanly, floats in absolute darkness. Not destroyed. Not fallen. Suspended in the moment between what was whole and what has become two, held in a stillness that withholds nothing and reveals everything. The break is not violence. It is a pause. The long silence between one breath and the next.\u003c\/p\u003e\u003cp\u003eThere is something ancient in this image, and something that feels entirely of now. The classical form carries the weight of centuries, of beauty made monument, of the human face codified into permanence. And yet it hovers, weightless, separated from itself, as though the division were the point all along. Between the two halves, a space opens. That space is not emptiness. It is where meaning lives.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image emerges from the surface itself through depth and controlled absence, built not by adding but by receding. What remains catches the light. What is absent shapes the form. The face appears in the contrast between depth and surface, between shadow and edge, between the two silences on either side of a break that holds everything together.\u003c\/p\u003e\u003cp\u003eFrom a distance, the work is monumental and still. A fractured icon suspended in darkness, sharply defined against nothing. Move closer and the image opens into a field of depth, each surface catching light differently, the composition shifting with the angle of view and the quality of light in the room. The work you see in morning light is not the work you see at dusk.\u003c\/p\u003e\u003cp\u003eBetween Two Silences continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"Between two silences, something always remains.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497365344581,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Between_Two_Silences_thumbnail.jpg?v=1783463786"},{"product_id":"the-quieter-self","title":"The Quieter Self","description":"\u003cp\u003eA minimal contemporary artwork about the inner voice, duality and the self that speaks only in silence.\u003c\/p\u003e\u003cp\u003eShe is seen in profile, still and composed against a deep, unbroken darkness. Her form does not emerge through colour or line, but through the contrast that shapes her in light and depth. Look longer and a second presence appears, a smaller profile nested within her throat, as though the body holds another self inside it.\u003c\/p\u003e\u003cp\u003eNo paint was laid down. No print was applied. No ink marks the surface. The image is built entirely from absence, from depth that collects the light and returns it as form. What appears to the eye is not added but revealed, coaxed forward by contrast and the particular quality of the space around it.\u003c\/p\u003e\u003cp\u003eFrom across the room, the work is monumental and quiet. A single silhouette against the dark, carrying a stillness that asks nothing. Step closer and the surface becomes a field of depth, each void holding its own weight, each shadow a considered absence.\u003c\/p\u003e\u003cp\u003eThe voice within us rarely speaks loudly. It lives in the held breath, the word shaped but not released, the thought that turns inward rather than out. \"The Quieter Self\" gives form to that interior presence, the self that shapes everything we say by remaining just below it.\u003c\/p\u003e\u003cp\u003eAs the light shifts and the viewer moves, the smaller profile appears and withdraws. At certain angles it nearly disappears, as though the inner voice has grown still. At others it returns with quiet insistence, unmistakably present within the larger form. The work does not hold still. It changes with the room, the hour, the eye that looks.\u003c\/p\u003e\u003cp\u003e\"The Quieter Self\" continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"Not what is said. What is held.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497365377349,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/The_Quieter_Self_thumbnail.jpg?v=1783463791"},{"product_id":"dissolving-upward","title":"Dissolving Upward","description":"\u003cp\u003eA minimal contemporary artwork about memory, dissolution and the quiet unraveling of what we carry within.\u003c\/p\u003e\u003cp\u003eThe figure emerges from deep darkness, the face withdrawn into shadow, barely a presence at all. From the crown of the head, small forms lift and drift upward, each one catching a fragment of light before the void reclaims it. It is a leaving without ceremony. A dispersal without grief.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image exists entirely through depth and absence, constructed through the relationship between void and light, between what remains visible and what has already gone. The work does not add. It reveals.\u003c\/p\u003e\u003cp\u003eFrom across the room it reads as a single still figure, monumental and quiet against an unbroken black. Step closer, and the surface opens into a field of depth, each ascending form its own small act, rising, drifting, dissolving at the very edge of visibility.\u003c\/p\u003e\u003cp\u003eThe upward movement is the heart of the work. Memory does not hold its shape. Thought does not stay. What we believe we carry, we are always, slowly, releasing. The darkness in which the figure stands is not emptiness. It is the ground from which presence once gathered and to which it quietly returns.\u003c\/p\u003e\u003cp\u003eThe work is alive to its surroundings. As light shifts across the surface, the rising forms appear and recede, the face gains and loses definition, the moment of dissolution repeats. Dissolving Upward continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"What rises from us is not lost. It is returning to the light.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497365508421,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Dissolving_Upward_thumbnail.jpg?v=1783463795"},{"product_id":"dripping-into-nothing","title":"Dripping Into Nothing","description":"\u003cp\u003eA minimal contemporary artwork about dissolution, identity and the quiet surrender of form.\u003c\/p\u003e\u003cp\u003eThe figure stands, or it stood. What remains is a bust without a face, without a name, without the features by which we recognise one another. It is already in the process of leaving. Long pale traces descend from the chin and collarbones, as if the boundary between the self and darkness is no longer holding.\u003c\/p\u003e\u003cp\u003eNo paint. No print. No ink. The image is built from depth and controlled absence within the surface itself. What you see is not applied, it is revealed. The figure appears through contrast, through the relationship between shadow and the stillness that surrounds it.\u003c\/p\u003e\u003cp\u003eFrom a distance, the work is monumental and still. The silhouette holds. The pale traces descend in slow, near-ritual geometry. Move closer, and the surface becomes a field of depth, each void drawing the eye further inward, past the form, into the dark below.\u003c\/p\u003e\u003cp\u003eThe facelessness is not a wound. It is a question. Who dissolves first, the form or the name? The drips suggest something surrendered, not violently but gradually, the moment before nothing and something converge.\u003c\/p\u003e\u003cp\u003eDripping Into Nothing continues the Art with Void series by Tijs Dragtsma, in which imagery is constructed through depth and absence rather than paint or print. The work shifts with the light of the space in which it is placed, moving between presence and near disappearance depending on where you stand. A visual language where absence is not emptiness, but presence.\u003c\/p\u003e\u003cp\u003e\"The face was the last thing to go.\"\u003c\/p\u003e\u003cp\u003eMore about the artist, process and materials can be found on the About page.\u003c\/p\u003e\u003cp\u003eQuestions about this work, availability or shipping can be sent through the form below.\u003c\/p\u003e","brand":"TD Fine Art Studio","offers":[{"title":"Default Title","offer_id":58497365836101,"sku":null,"price":3750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/0724\/0005\/files\/Dripping_Into_Nothing_thumbnail.jpg?v=1783463800"}],"url":"https:\/\/tdfineartstudio.com\/es\/collections\/upcoming.oembed","provider":"TD Fine Art Studio","version":"1.0","type":"link"}